Director Ashley Mapley-Brittle clearly knows what she is doing; the staging is dynamic, the relationships and pecking order established by proxemics and body language as well as dialogue. It’s technical stuff, but it all looks natural and unforced. The pace, while never dropping, still allows the script to breathe, the actors weighting the words so that we can appreciate them.

Bouquets and Brickbats 

MOJO Review